Holding the Note

A Financial Times Book of the Year
One of The New Yorker’s Best Book of the Year

“Remnick captures the tempo and timbre of the great musicians of our time: Leonard Cohen’s divine darkness, Bruce Springsteen’s durable swagger, Mavis Staples’s transcendent gospel. This series of profiles, gathered from the magazine, plumbs the lives and legacies of iconic artists and their indelible work: the people who made the music that made us.” —The New Yorker

“Remnick explores the lives and talents of popular musicians ranging from Charlie Parker to Patti Smith to Luciano Pavarotti, and in each case delivers not just a convincing case for the artist’s work but an empathetic understanding of what it means to create and survive in an often unwelcoming world. From first page to last, Remnick holds the note.” —Air Mail

“Remnick’s stuff is noisomely good . . . Holding the Note is album-length, pulling together 11 of Remnick’s long-form New Yorker pieces on people such as Bruce Springsteen and Mavis Staples, Luciano Pavarotti and Aretha Franklin. They are artists who occupy a place beyond genre, in what you might call deep canon – celebrated, storied, complex; older or gone . . . Many of these Remnick pieces are remarkable, not just for their expertise and vividness, but for the aeons he spends talking to his subjects and those around them.” —The Observer

“[A] gathering of exceptionally vivid and melodic profiles of musicians late in life. Written over the past three decades, these are keenly observed, deeply felt, and judiciously detailed encounters of genuine communion mixing interviews, biography, and analysis, all lyrically and radiantly composed . . . There’s a bittersweet quality to Remnick’s perceptions of these legendary figures. He offers arresting insights into Luciano Pavararotti, Aretha Franklin, and Buddy Guy; a funny and lacerating portrait of Keith Richards, fresh takes on Paul McCartney, Mavis Staples, Bruce Springsteen, Bob Dylan, and Patti Smith . . . There is acuity here, bemusement, tenderness, and gratitude.” —Donna Seaman, Booklist

“Remnick, the intellectually nimble editor of The New Yorker, has lately been focusing closely on world politics, but he finds time to profile a number of artists who, having enjoyed early success, ‘were all grappling, in music and in their own lives, with their diminishing gifts and mortality.’. . . There’s dish here . . . and plenty of astute observation . . . A perceptive pleasure for literate music lovers.” —Kirkus Reviews

“A tribute to the resilience of maturing music performers . . . Structured in a conversational style, the book touches on artists like Leonard Cohen, Aretha Franklin, Buddy Guy, Keith Richards, Paul McCartney, Mavis Staples, Bruce Springsteen, Pavarotti, Bob Dylan, and Patti Smith. Remnick ruminates about the connections and similarities among many of his subjects—depression and Dylan affected Cohen; Franklin’s preacher father’s hardships shadowed her; and Guy influenced Jimi Hendrix and Muddy Waters.” —Library Journal

“[A] standout collection of pieces . . . Remnick’s close observational details add texture, but what’s most remarkable is his ability to give due at once to the artists’ larger-than-life musical legacies and their all too human fallibilities. Music fans will revel in this peek behind the curtain.” —Publishers Weekly (starred review)