Best Seller
Paperback
$20.00
Published on Jan 27, 2004 | 352 Pages
I’ve been a problem baby, a lousy son, a distant brother, an off-putting neighbor, a piss-poor student, a worrisome seatmate, an unreliable employee, a bewildering lover, a frustrating confidante and a crappy husband. Among the things I do pretty well at this point I’d have to list darts, re-closing Stay-Fresh boxes, and staying out of the way.
This is the self-eulogy offered early on by the unwilling hero of the opening story in this collection, a dazzling array of work in short fiction from a master of the form. The stories in Love and Hydrogen—familiar to readers from publications ranging from McSweeney’s to The New Yorker to Harper’s to Tin House—encompass in theme and compassion what an ordinary writer would seem to need several lifetimes to imagine.
A frustrated wife makes use of an enterprising illegal-gun salesman to hold her husband hostage; two hapless adult-education students botch their attempts at rudimentary piano but succeed in a halting, awkward romance; a fascinated and murderous Creature welcomes the first human visitors to his Black Lagoon; and in the title story, the stupefyingly huge airship Hindenburg flies to its doom, representing in 1937 mankind’s greatest yearning as well as its titanic failure.
Generous in scope and astonishing in ambition, Shepard’s voice never falters; the virtuosity of Love and Hydrogen cements his reputation as, in the words of Rick Bass, “a passionate writer with a razor-sharp wit and an elephantine heart”—in short, one of the most powerful talents at work today.
This is the self-eulogy offered early on by the unwilling hero of the opening story in this collection, a dazzling array of work in short fiction from a master of the form. The stories in Love and Hydrogen—familiar to readers from publications ranging from McSweeney’s to The New Yorker to Harper’s to Tin House—encompass in theme and compassion what an ordinary writer would seem to need several lifetimes to imagine.
A frustrated wife makes use of an enterprising illegal-gun salesman to hold her husband hostage; two hapless adult-education students botch their attempts at rudimentary piano but succeed in a halting, awkward romance; a fascinated and murderous Creature welcomes the first human visitors to his Black Lagoon; and in the title story, the stupefyingly huge airship Hindenburg flies to its doom, representing in 1937 mankind’s greatest yearning as well as its titanic failure.
Generous in scope and astonishing in ambition, Shepard’s voice never falters; the virtuosity of Love and Hydrogen cements his reputation as, in the words of Rick Bass, “a passionate writer with a razor-sharp wit and an elephantine heart”—in short, one of the most powerful talents at work today.
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Author
Jim Shepard
JIM SHEPARD has written eight novels, including The Book of Aron, which won the Sophie Brody Medal, the PEN/New England Award, the Ribalow Prize, and the Clark Fiction Prize, as well as six story collections, including Like You’d Understand, Anyway, which won the Story Prize and was a finalist for the National Book Award. Eight of his stories have been selected for publication in The Best American Short Stories, two for The PEN/O. Henry Prize Stories, and four for The Pushcart Prize. He’s the recipient of a Guggenheim Fellowship and lives in Williamstown, Massachusetts, with his wife, the fiction writer Karen Shepard, and a Pittie mix and a beagle.
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