Welcome to Tía Lola’s bed and breakfast! With the help of her niece and nephew and the three Sword Sisters, Tía Lola is opening the doors of Colonel Charlebois’ grand old Vermont house to visitors from all over. But Tía Lola and the children soon realize that running a B & B isn’t as easy they had initially thought—especially when it appears that someone is out to sabotage them! Will Tía Lola and the kids discover who’s behind the plot to make their B & B fail? And will Tía Lola’s family and friends be able to plan her a surprise birthday party in her own B & B without her finding out?
With the release of this Yearling edition, all four Tía Lola Stories are now available in paperback.
About How Tia Lola Ended Up Starting Over
Welcome to Tia Lola’s bed and breakfast! With the help of her niece and nephew and the three Sword Sisters, Tía Lola is opening the doors of Colonel Charlebois’ grand old Vermont house to visitors from all over. But Tía Lola and the children soon realize that running a B & B isn’t as easy they had initially thought–especially when it appears that someone is out to sabotage them! Will Tía Lola and the kids discover who’s behind the plot to make their B & B fail? And will Tía Lola’s family and friends be able to plan her a surprise birthday party in her own B & B without her finding out?
Julia Alvarez is the author of the novels How the García Girls Lost Their Accents, In the Time of the Butterflies (a national Book Critics Circle Award finalist), and Yo!. She has also published two poetry collections (Homecoming and The Other side/El Otro Lado) and a collection… More about Julia Alvarez
About Julia Alvarez
Julia Alvarez is the author of the novels How the García Girls Lost Their Accents, In the Time of the Butterflies (a national Book Critics Circle Award finalist), and Yo!. She has also published two poetry collections (Homecoming and The Other side/El Otro Lado) and a collection… More about Julia Alvarez
Booklist, November 1, 2011: “Fans will love the continuing spats and affectionate fun, all told in the same lively present-tense voice as in the previous titles.”
