Perla

“Beautiful. . . . Wrenching. . . . De Robertis is an extraordinarily courageous writer who only gets better with every book.”
—Junot Díaz

“Mesmerizing. . . . A moving, poetic novel about the costs of revolution and the evolutionary process that is identity.”
—O, The Oprah Magazine

“Haunting . . . a sensitive exploration of love, loyalty, and hope in the wake of atrocity.”
—The New Yorker

“De Robertis brings the best of two cultures to bear in her work, melding the Latin literary tradition of magical realism with a thoroughly modern, politically charged North American sensibility. . . . [Her] extraordinary gift makes this brave, important book an object of beauty.”
—Chicago Tribune

 “De Robertis holds the reader’s attention with her entrancingly rhythmic and pulsating prose. . . . [Her] voice is distinctive and her novel vivid and memorable.”
—The Wall Street Journal

“A gripping journey that’s as heart-wrenching as it is healing; a reminder that the Disappeared must not be forgotten. . . . Both the story and prose flow like a glistening Rio de la Plata. . . . De Robertis’ writing . . . from beginning to end hypnotizes with poetic, crushing beauty.”
—Minneapolis Star Tribune

“Impressive. . . . Bold. . . . In an artful blend of beauty and horror, De Robertis has made the disappeared visible once again. With that, she has done them—and us—a great service.”
—San Francisco Chronicle

“This ambitious narrative . . . is propulsive and emotionally gripping. . . . Culminating in a wrenching catharsis about rebirth and healing.”
—Publishers Weekly (starred review)

“[Perla] is a literary descendant of Toni Morrison’s Beloved, but very much its own achingly original, hauntingly lyrical outing.”
—East Bay Express

“Enthralling.”
—New York Daily News

“It’s no exaggeration to say I’ve rarely read a more poetic novel than Carolina De Robertis’ Perla. What makes it doubly impressive is the subject matter that this author takes on. . . . De Robertis is a new voice for Latin America, following in the footsteps of Isabel Allende, and dare I say it, Gabriel Garcia Marquez.”
—Washington Independent Book Review

“De Robertis skillfully weaves a lyrical voice around her characters that treats victims, perpetrators, and bystanders with the same care and honesty. The result is a powerfully humanizing effort that examines a nation struggling with a very dark, recent past.”
—Library Journal (starred review)

“Lyrically combining into reality both the fantastic and the horrific, De Robertis weaves a beautiful and plain-faced tale about birth, rebirth, and the responsibility of inheritance from complex, startling history.”
—Booklist (starred review)

“An elegantly written and affecting meditation on life in the wake of atrocity.”
—Kirkus Reviews