Clampitt was an impassioned observer of the natural world, the delights of which color many of these poems: writing of the fog, she described “a stuff so single / it might almost be lifted, / folded over, crawled underneath / or slid between, as nakedness- / caressingsheets.” Such was the texture of her language, too. She was a traveler, reporting back from England and Greece, from California and Maine, and from her native Midwest. An Iowa transplant to New York, the descendant of pioneers, she wrote of prairies and subways; of the movements of wildflowers, people, and ideas; and of the widespread modern experience of uprootedness.
Here is a treasure of Amy Clampitt’s verse, for those who are reading her for the first time, as well as for those who have long admired her.
Author
Amy Clampitt
Amy Clampitt was born and brought up in New Providence, Iowa, graduated from Grinnell College, and from that time on lived mainly in New York City. Her first full-length collection, The Kingfisher, published in 1983, was followed in 1985 by What the Light Was Like, in 1987 by Archaic Figure, and in 1990 by Westward. A Silence Opens, her last book, appeared in 1994.The recipient in 1982 of a Guggenheim Fellowship, and in 1984 of an Academy of American Poets Fellowship, she was made a MacArthur Prize Fellow in 1992. She was a member of the American Academy of Arts and Letters and was a Writer in Residence at the College of William and Mary, Visiting Writer at Amherst College, and Grace Hazard Conkling Visiting Writer at Smith College.She died in September 1994.
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