A Penguin Vitae Edition
When Kate Chopin’s classic was first published in 1899, charges of sordidness and immorality seemed to consign it into obscurity and irreparably damage its author’s reputation. But a century after her death, The Awakening is widely regarded as Kate Chopin’s great achievement and a celebrated work of early feminist literature. Through careful, subtle changes of style, Chopin shows the transformation of Edna Pontellier, a young wife and mother, who – with tragic consequences – refuses to be caged by married and domestic life, and claims for herself moral and erotic freedom.
Penguin Classics launches a new hardcover series with five American classics that are relevant and timeless in their power, and part of a dynamic and diverse landscape of classic fiction and nonfiction from almost seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.
Author
Kate Chopin
Kate Chopin (1851-1904) did not begin to write until she was thirty-six years old. Up to that time, her life gave no hint of either literary talent or literary ambition. Yet after the publication of her first stories in 1889, she enjoyed ten years of a productive, serious, and fairly successful career. Her first novel, At Fault (1890), had difficulty finding a publisher, so she brought it out at her own expense and sent review copies to important journals. Her short stories—close to a hundred of them—were published for the most part in prestigious national magazines. They gave her a solid reputation as a gifted ‘local color’ writer—that is, an author specializing in the depiction of a particular region of the country and its inhabitants. From these many stories, she culled two well-reviewed collections: Bayou Folk in 1894 and A Night in Acadie in 1897. The Awakening, now her best-known work, appeared in 1899. Critics of Chopin’s own day disapproved of the sexual frankness of The Awakening and were especially disturbed by the narrator’s neutrality toward the unconventional behavior of Edna Pontellier, the heroine. All reviews of the novel were unfavorable. Soon after this setback, a planned third collection of short stories was rejected by a publisher, and Kate Chopin essentially ceased to write. In poor health, she died some five years after The Awakening appeared. She was only fifty-three.
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