The names of Arthur, Merlin, Lancelot, Guinevere, Galahad, the sword of Excalibur, and the court of Camelot are as recognizable as any from the world of myth. Although many versions exist of the stories of King Arthur and the Knights of the Round Table, Le Morte d’Arthur by Sir Thomas Malory endures as the most moving and richly inventive. In this abridged retelling the inimitable Peter Ackroyd transforms Malory’s fifteenth-century work into a dramatic modern story, vividly bringing to life a world of courage and chivalry, magic, and majesty. The golden age of Camelot, the perilous search for the Holy Grail, the love of Guinevere and Lancelot, and the treachery of Arthur’s son Mordred are all rendered into contemporary prose with Ackroyd’s characteristic charm and panache. Just as he did with his fresh new version of Chaucer’s The Canterbury Tales, Ackroyd now brings one of the cornerstones of English literature to a whole new audience.
Author
Sir Thomas Malory
Scholars have determined that there were at least six Thomas Malorys alive in the 1400s when Le Morte d’Arthur was written. Considerable evidence points to the likeliest author as one Sir Thomas Malory or Maleore of Newbold Revell in Warwickshire, who was born in the first quarter of the fifteenth century. A member of the gentry, he became a soldier in the service of Richard Beauchamp, Earl of Warwick, with whom he fought in the siege of Calais in 1436. In records of the period he is accused of various crimes–including armed robbery, attempted murder, and rape–and he is said to have executed several dramatic escapes from prison.Several things about Malory seem indisputable. As in Arthur’s time when post-Roman Britain was in a state of fierce tribal war, he lived in an age of great unrest. Europe was still recovering from the Black Plague and a century of war. In England, two powerful families fought for the throne. Although he may have been a scoundrel, Malory was also, it seems clear, a man of ideals who believed in courage and loyalty, and who mourned the passing of chivalry. Incarcerated for long periods, he had many hours to fill his imagination with French romances and tales of chivalry, volumes of which were readily at hand. It is thought that Le Morte d’Arthur was written during his imprisonment.Malory referred to himself as a ‘knight-prisoner.’ With a military man’s passion for the details of conquest, a prisoner’s sense of injustice, and a penitent’s desire for redemption, he dedicated himself wholeheartedly to this retelling of the Arthurian legends. Sir Thomas Malory died, it is presumed, around 1471.
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