PRAISE FOR THE CONFESSIONS OF YOUNG NERO
“George’s reconstruction of the man, in terms both of his public life and private character, is more than a revisiting of fact: It’s a subtle exploration of identity and the insidious effects of power…‘Confessions’ is all about identity: How is it made, lost, reinvented?…Margaret George occupies that blurry space between history and fiction. And between Tacitus and Margaret George, I rather think it’s George’s account that is not only most sympathetic but most truthful.”—Diana Gabaldon, Washington Post
“Margaret George has performed about the most audacious act imaginable for a historical novelist—an epic work of fiction not merely sympathetic to Nero, but told largely in his own voice. I applaud. And so, I imagine, does that connoisseur of the arts Nero, watching from Elysium.”—Steven Saylor, author of Roma: The Novel of Ancient Rome
“[George] brilliantly recreates past eras and bygone civilizations.”—Sharon Kay Penman, author of A King’s Ransom
“A wonderful novel, from the riveting first scene to the breathtaking finale.” —Jennifer Chiaverini, New York Times bestselling author of Fates and Traitors and Mrs. Lincoln’s Dressmaker
“Wow! Margaret George—the reigning queen of historical fiction—is back with this epic saga that vividly re-imagines the life of young Nero in all its operatic, dramatic glory.”—Stephanie Dray, New York Times bestselling author of Lily of the Nile
“Margaret George has an incredible talent in that she can stand in the shoes of her protagonist and speak in his or her voice.”—Barbara Taylor Bradford, author of The Cavendon Luck and A Woman Of Substance
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