Victorian author Elizabeth Gaskell combines historical incidents and otherworldly tales in this collection of classic Gothic stories. “Disappearances,” inspired by local legends of mysterious vanishings, mixes gossip and fact; while “Lois the Witch,” a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria. In “The Old Nurse’s Story,” a mysterious child roams the freezing Northumberland moors; in “The Poor Clare,” an evil doppelgänger is formed by a woman’s bitter curse; and “Curious, if True,” features a playful reworking of fairy tales. Whether darkly surreal or micheievous, all the stories in this volume form a stark contrast to the social realism of Gaskell’s novels, revealing a darker and more unsettling style of writing.
Laura Kranzler’s introduction discusses how Gaskell’s tales, with their ghostly doublings and transgressive passions, show the Gothic underside of female identity, domestic relations and male authority. This edition also contains a chronology, further reading and explanatory notes.
Author
Elizabeth Gaskell
Elizabeth Cleghorn Gaskell was born in London in 1810, but she spent her formative years in Cheshire, Stratford-upon-Avon and the north of England. In 1832 she married the Reverend William Gaskell, who became well known as the minister of the Unitarian Chapel in Manchester’s Cross Street. As well as leading a busy domestic life as minister’s wife and mother of four daughters, she worked among the poor, traveled frequently and wrote. Mary Barton (1848) was her first success.Two years later she began writing for Dickens’s magazine, Household Words, to which she contributed fiction for the next thirteen years, notably a further industrial novel, North and South (1855). In 1850 she met and secured the friendship of Charlotte Brontë. After Charlotte’s death in March 1855, Patrick Brontë chose his daughter’s friend and fellow-novelist to write The Life of Charlotte Brontë (1857), a probing and sympathetic account, that has attained classic stature. Elizabeth Gaskell’s position as a clergyman’s wife and as a successful writer introduced her to a wide circle of friends, both from the professional world of Manchester and from the larger literary world. Her output was substantial and completely professional. Dickens discovered her resilient strength of character when trying to impose his views on her as editor of Household Words. She proved that she was not to be bullied, even by such a strong-willed man.Her later works, Sylvia’s Lovers (1863), Cousin Phillis (1864) and Wives and Daughters (1866) reveal that she was continuing to develop her writing in new literary directions. Elizabeth Gaskell died suddenly in November 1865.
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