“It was the best of times, it was the worst of times. . . .”
So begins Charles Dickens’ A Tale of Two Cities, a masterful pageant of idealism, love, and adventure during the French Revolution.
After nearly two decades, Lucie Manette’s father is released from his unjust imprisonment in the Bastille. The two relocate to London and meet Charles Darnay, a French aristocrat, and Sidney Carton, an English lawyer. Both men are smitten with the gorgeous Lucie, and she eventually weds Charles. But once the French Revolution breaks out, Charles faces execution—and Sidney faces a life-changing decision.
With his sublime parting words, “It is a far, far better thing that I do, than I have ever done . . . ,” Sidney Carton joins that exalted group of Dickensian characters who have earned a permanent place in the popular literary imagination. His dramatic story, set against the fury of the French Revolution and pervaded by the ominous rumble of the death carts trundling toward the guillotine, is the heart-stirring tale of a heroic soul in an age gone mad.
Author
Charles Dickens
Charles Dickens was born in a little house in Landport, Portsea, England, on February 7, 1812. The second of eight children, he grew up in a family frequently beset by financial insecurity. When the family fortunes improved, Charles went back to school, after which he became an office boy, a freelance reporter, and finally an author. With Pickwick Papers (1836–37) he achieved immediate fame. In a few years he was easily the most popular and respected writer of his time. It has been estimated that one out of every ten persons in Victorian England was a Dickens reader. Oliver Twist (1837), Nicholas Nickleby (1838–39), and The Old Curiosity Shop (1840-41) were huge successes. Martin Chuzzlewit (1843–44) was less so, but Dickens followed it with his unforgettable, A Christmas Carol (1843), Bleak House (1852–53), Hard Times (1854), and Little Dorrit (1855–57), which reveal his deepening concern for the injustices of British society. A Tale of Two Cities (1859), Great Expectations (1860–61), and Our Mutual Friend (1864–65) complete his major works.
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