“A treasure from the 1980s…[The Juniper Tree] picks up the Grimm notion that an excess of maternal happiness can prove fatal…Comyns’s prose is vivid and charmingly hurried… The Grimm story is about evil, revenge, and justice—an eye for an eye—but The Juniper Tree is about accidents, damage, and repair.” —Christine Smallwood, Harper’s
“Part fairy tale, part domestic tragedy, The Juniper Tree inherits the fairy tale tradition as a psychic compulsion that structures the events, symbols, and aesthetic sensibility of the novel. But what makes The Juniper Tree distinctive is the gentle, oblique texture of its psychological and material realism, and the way Comyns wields this unique comingling of realism and fabulism to create an astonishing suspension of disbelief and narrative structure. There’s a magic here that makes me think I too have lived it.” —Sarah McClung, Literary Hub
“Comyns has a pictorial eye, and though she wrote stories from a young age, she originally thought of herself as a sculptor and painter…[her] wild but exact style is always instantly recognizable, a mix of looseness and compression.” —Jé Wilson, The New York Review of Books
“The novel . . . achieves a life of its own, and allows Bella to emerge at last from her ordeal with a feminist, fertile, happy, fairy-tale ending. Hypnotic and enthralling in the process.” —Kirkus Reviews
“Comyns’s world is weird and wonderful . . . there’s also something uniquely original about her voice. Tragic, comic and completely bonkers all in one, I’d go as far as to call her something of a neglected genius.” —Lucy Scholes, The Observer
“The Juniper Tree, which appeared in 1985, is one of Comyns’s most successful, confident and curious productions. It has the clear pure narrative quality of a fable, but also shows a humanity and maturity.” —Margaret Drabble
“The Juniper Tree is a fairy tale that haunts me because even at the end the evil in it is never wholly undone. Through her reimagining of the wicked stepmother figure, Comyns speculates convincingly as to how damage escalates despite all conscious attempts to limit itself.” —Helen Oyeyemi
“I don’t think there is any other novelist I’ve come across who writes so subtly the disturbing and the domestic.” —Stuck in a Book (blog)
“Comyns approaches the world as if everything is worthy of clear-eyed attention. In this novel in particular, she is better than any other writer I know at striking an impossible balance between accuracy, wonder, and disgust.” —Brian Evenson, The Rumpus
“Comyn’s [CE1] voice has childlike qualities; she looks at everything in the world as though seeing it for the first time. In later books, though, her narrators’ naivety is deployed in order to provoke horror; the gap between what the reader knows and the narrator doesn’t serves to make the reader fascinated and fearful.” —Emily Gould, The Awl
“Here is a beautifully organized, well-written book that reads almost conversationally…. Delicate, tough, quick moving, it’s a haunting book…an amazing achievement…” —Financial Times
“Comyns’s heroines, and her novels, are plaintive, strange, and robust all at once…. As an exercise in reconstruction, using the old ingredients but producing a fable for a different age, The Juniper Tree could hardly have been more satisfactorily accomplished.” —The Times Literary Supplement
“Hypnotic and enthralling.”—Kirkus Reviews
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