Mighty Real

Advance Praise for Mighty Real

“Mighty Real is an incredibly real reminder that the people who changed music were often the ones told they didn’t belong.”
—Tig Notaro, comic and New York Times bestselling author of I’m Just a Person

“Barry Walters has been writing about music from an American queer perspective for five decades. This is his testament: a musical, personal and political history that explores and celebrates the LGBTQ contribution to popular music.”
—Neil Tennant, Pet Shop Boys

“Painting a vivid mural of genius and provocation that music lovers—queer or not—will devour, Barry Walters delivers as much energy, heartbreak, and humor as the artists he covers. This treasure trove of queer music history provides the perspective left out of the music magazines I scoured as a kid.”
—Jake Shears, Scissor Sisters

“In Rolling Stone, back in 1999, Barry Walters’s coverage of Breakdown was the first time one of my albums got a serious review. Here and now, he’s once again bringing the respect and insight that’s often been denied LGBTQ artists. He understands us because he is us.”
—Melissa Etheridge

“Barry has always been an inspiring guide to music that’s emotionally open and truly inclusive. Mighty Real is a stunning testament to the queer pioneers in pop who made it okay to be gay—and to be boldly, joyfully oneself. Makes me feel mighty real!”
—Emmy-winning composer Lisa Coleman, keyboardist for Prince and the Revolution

“We’re now at a place in our culture where pop’s queerness is acknowledged and celebrated, where LGBTQ pioneers are given their due, when today’s young pop artists (gay, straight or otherwise) celebrate their queer audiences and queer influences. Barry’s writing did much to help this moment arrive—he was telling these stories from the beginning, and he invented the language for them to be told. Mighty Real is a crucial and essential book for this moment that only he could tell.”
—Rob Sheffield, New York Times bestselling author of Heartbreak Is the National Anthem

“Witty, incisive, and beautifully written—an illuminating queer reframing of popular music as lived history.”
—Rob Epstein, Oscar-winning director of The Times of Harvey Milk

“An insightful, can’t-put-it-down chronicle of the music and iconic moments that mattered most to queer communities in the decades following Stonewall, Mighty Real offers a powerful reminder that LGBTQ artists have become central architects of our collective liberation, expanding the very definitions of freedom, self-expression, and possibility.”
—Jason King, Dean, USC Thornton School of Music

“In this joyride of a book, Barry Walters tells the story of music as both stage and haven for queer folk and sensibilities. He doesn’t merely chronicle the history of lavender women and leather boys, disco queens and homopunks: Walters redefines the conversation around how gender identities and sexual desire are expressed within popular culture. Overflowing with brilliant musical analysis and fascinating detail, Mighty Real changes the game when it comes to pop history.”
—Ann Powers, author of Traveling: On the Path of Joni Mitchell

“It’s waaaay more than disco. It’s rock, pop, soul, punk, hip-hop, folk, singer-songwriters, everything: the LGBTQ community has made massive contributions to them all, and Mighty Real finally tells the tale in all its inspiring, outrageous, ingenious and moving glory. No matter how much you already know, you’ll learn a lot more.”
—Michael Azerrad, author of Our Band Could Be Your Life

“A vast compendium that defines the many iterations of LGBTQ music, Mighty Real grounds our history not only through concurrent culture and relevant events, but also through a fascinating framework of the author’s own experience.”
—Robbie Leslie, DJ & SiriusXM Producer

“This exciting yet forensic tome will set readers to listening, re-listening, and discovery. Although its audience is anyone touched by popular song, Mighty Real is most compelling when it reveals how musicians—unintentionally or otherwise—edified the queer folk out here in the dark.”
—David McAlmont, singer and art historian