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“Opposable Thumbs is a welcome reminder of an era when film criticism actually mattered…But it was Siskel and Ebert who, in Singer’s words, ‘democratized criticism, turned it into mass entertainment.’” —The New York Times
“The story of [Siskel and Ebert’s] rise to fame is told in enticing detail by Matt Singer in a joint biography titled—what else?—Opposable Thumbs. For Singer, the critic at ScreenCrush and the current chairperson of the New York Film Critics Circle, the book is clearly a labor of love. He writes that his own aspiration to be a critic was sparked by their show, which he began watching obsessively as a middle schooler, in the early nineteen-nineties. Singer’s admirably fanatical research renders this obsession tangible. He seems to have absorbed every moment that the duo spent onscreen, whether on their own show or other people’s. (They were Johnny Carson and David Letterman regulars for years). He has combed his heroes’ writings and interviewed their colleagues, friends, family, and fellow-critics. But, more than merely gathering this material, he has thought deeply about it, and the best thing about the book is the way that it highlights some of the basic quandaries that critics confront (or avoid) daily.” —The New Yorker
“The story of [Siskel and Ebert’s] rise to fame is told in enticing detail by Matt Singer in a joint biography titled—what else?—Opposable Thumbs. For Singer, the critic at ScreenCrush and the current chairperson of the New York Film Critics Circle, the book is clearly a labor of love. He writes that his own aspiration to be a critic was sparked by their show, which he began watching obsessively as a middle schooler, in the early nineteen-nineties. Singer’s admirably fanatical research renders this obsession tangible. He seems to have absorbed every moment that the duo spent onscreen, whether on their own show or other people’s. (They were Johnny Carson and David Letterman regulars for years). He has combed his heroes’ writings and interviewed their colleagues, friends, family, and fellow-critics. But, more than merely gathering this material, he has thought deeply about it, and the best thing about the book is the way that it highlights some of the basic quandaries that critics confront (or avoid) daily.” —The New Yorker
“A wonderful book.” —RogerEbert.com
“The role of Gene Siskel and Roger Ebert in changing film criticism may often have been simplified to their signature phrase ‘Two Thumbs Up,’ but the glory and value of this knowledgeable, deeply entertaining history of their partnership is that it’s always expansive, never reductive. We get so much here—a dual portrait of two big personalities at war with one another both as critics and as men, a history of the invention and reinvention of a seminal TV series, and a deep sense of the abiding love for movies that coursed through their work and that courses through Matt Singer’s.” —Mark Harris, author of Mike Nichols: A Life
“Critics Gene Siskel and Roger Ebert changed how we talked about the movies. A fascinating look inside their enduring partnership.” —People
“Siskel and Ebert bustled into the world at a time when movie critics mattered more, before the culture fragmented into a million voices and “influencers,” and they ruled that world with iron thumbs. In this sense Singer’s book is a time capsule of a bygone era every bit as irreplicable as the partnership at its core.” —The Los Angeles Times
“Engaging.” —The Washington Post
“I think Matt has really done the research here to very deeply engage with the show itself and who they were, but also the history of what it meant to try and get this kind of show on television at the time, and what made it popular. It’s a special book.” —Linda Holmes, NPR’s Pop Culture Happy Hour
“[Opposable Thumbs] deserves two thumbs up.” —Publishers Weekly
“Readers who recall Siskel and Ebert will be delighted by this opportunity to reminisce.” —Kirkus Reviews
“Recommended for wide purchase with, what else, an enthusiastic thumbs up.” —Booklist, starred review
“Opposable Thumbs is a thoroughly entertaining, deeply researched biography of rival movie critics Gene Siskel and Robert Ebert and how they came to define modern film criticism.” —Shelf Awareness
“The Siskel & Ebert rivalry, and its legacy, comes alive in the new book Opposable Thumbs.” —Chicago Tribune
“Matt Singer produces the closest we’ll get to the ultimate chronicle of the men who changed film reviewing.” —Book and Film Globe
“For generations of moviegoers, Gene Siskel and Roger Ebert were more than a pair of dueling film critics on TV: They were celebrities in their own right, powerful arbiters of popular taste whose weekly clashes were more entertaining than a big-screen monster-movie battle. In this wildly entertaining book, Matt Singer, a critic who grew up sneaking viewings of Siskel and Ebert at the Movies past his bedtime, chronicles the history of these two very different men’s three-decade working relationship—one than was often even more heated than their weekly on-air fights, but which evolved late into their lives into a real and deeply moving friendship.” —Dana Stevens, author of Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century
“Like a squabbling couple in a screwball comedy, Gene Siskel and Roger Ebert had something undeniable: chemistry. Matt Singer’s sharp, affectionate book captures the love-hate professional marriage that changed television, changed film criticism, and changed the lives of two movie-mad rivals turned icons. My thumbs are pointing skyward.” —Michael Schulman, author of Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears
“Matt Singer is a nimble, funny writer whose enthusiasms are as quirky as they are infectious. These qualities make his history of the tele-visualization of film criticism a near-irresistible read. Beyond the hilarious and sometimes hair-raising tales of Roger-and-Gene sniping there’s a serious and thorough analysis of how they profoundly changed how all of us talk about the movies.” —Glenn Kenny, author of Made Men: The Story of Goodfellas
“The joy of watching Siskel and Ebert go at it represented more than just sharp minds and good entertainment. It was a particularly American approach to film criticism, an open door and an invitation. Like Siskel and Ebert themselves, Matt Singer’s writing is deft and bright, but above all brings a big-hearted approach to his subject. Anyone who loves movies will enjoy reading this book.” —Robert Towne, legendary screenwriter
“Roger Ebert famously called movies ’empathy machines’ — Matt Singer has taken that concept to its logical conclusion. Singer has crafted an empathy portal into the dreams, desires, and disagreements of the 20th century’s foremost movie critics, helping us understand what made them such indelible forces in the lives of film fans.” —Sean Fennessey, Head of Content for TheRinger.com
“They were two thumb-toting titans of film criticism who could boost or sink a movie with a twist of their hand. They were also complex, diametrically opposed men whose partnership was often more fractious than collegial. Matt Singer’s outstanding, hugely entertaining book digs into all of that, and more, to excavate a fascinating portrait of two guys from Chicago who somehow took Hollywood by storm. With sharp observations, contagious passion, and an acute eye for detail, it’ll leave you itching to watch a movie, then talk about it with someone. A perfect tribute, then, to the duo it’s about.” —Nick De Semlyen, author of The Last Action Hero: The Triumphs, Flops, and Feuds of Hollywood’s Kings of Carnage
“As entertaining, complicated, and surprising as the gentlemen themselves. Even as the most diehard fan I found myself genuinely surprised multiple times. To (kind of) quote the great Roger Ebert: I loved, loved, loved this book.” —Brian Michael Bendis, writer/co-creator Marvel’s Miles Morales and the Spider-Verse and Jessica Jones
“A funny, moving, illuminating look at the days when two ink-stained newspapermen from Chicago helped change the way cinema was talked about, made, and distributed, just by going on TV and telling viewers what they liked, and why.” —Matt Zoller Seitz, editor-at-large of RogerEbert.com
“Thankfully, future generations hoping to understand Gene and Roger’s impact on American thought will have Matt Singer’s Opposable Thumbs, an instantly indispensable book about the most important television show in the history of movies—and the unlikely pop icons who taught critics to talk like normal people and normal people to think like critics.” —Alex Pappademas, author of Keanu Reeves: Most Triumphant
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