In the opening poem, the poet comes home drunk without his key, collapses in the yard, and looks up to where, he says:
Whorls of a magnetic field
exfoliated under the solar wind,
so that the northern lights above me
trembled. No: that was the porch light
blurred by tears.
With this self-deprecating wit and tenderness toward human failings, these poems search through history into the wilderness of our origins, and through the self into the mysterious presences of people we love.
A master of moods—as when a poem of grief after the death of a friend becomes a sprightly litany of her favorite wildflowers—Haxton is a poet who summons essences of thought and feeling in a few words, creating both narratives and miniatures that are rich in possibility beyond the page.
ISAAC’S ROOM, EMPTY, 4 A.M.
From the dark tree at his window
blossoms battered by the rain
fell into the summer grass, white
horns, all spattered down the throat
with purple ink, while unseen birds,
with creaks and peeps
and whistles, started
the machinery of daybreak.
Author
Brooks Haxton
BROOKS HAXTON has published eight books of poetry, a nonfiction account of his son’s career in high-stakes poker, and translations from Greek, French, and German. His poems have appeared in The Atlantic, The New Yorker, The Paris Review, and elsewhere, and his nonfiction has been featured in The New York Times Sunday Magazine. He wrote the script for a film on the life and work of Tennessee Williams, broadcast in the American Masters series. A recipient of grants and awards from the National Endowment for the Arts, the National Endowment for the Humanities, the Guggenheim Foundation, and others, Haxton has taught for many years in the graduate creative writing programs of Syracuse University and Warren Wilson College.
Learn More about Brooks Haxton