Interposition

Featured in the Publishers Weekly Spring 2026 Preview

“Kellough’s approach in Interposition is allusive and mosaic, building a series of implications through suggestion and elision. His poem rails against “’the artificial poise of a text’ while also self-consciously highlighting that very artificiality.” —Quill & Quire

“Renegade meanings run away in Kellough’s sonic centrifuge or ‘unruly collection of narratives’ between & betweens location and locution.” —The Seaboard Review of Books

“Kaie Kellough’s book-length long poem is a rant, a ramble, elegant, and confrontational in a breakdown and breakout of contemporary social and digital culture. In this triptych of three lengthy sections—‘to be,’ ‘between,’ ‘betweens’—Kellough treats the page as a visual and sculptural field. He plays against conventional forms of verse and stanza, the confessional ‘I,’ and epiphany. And he shapes with a variety of forms—spaciousness and density, prose poetry, margin shifts, structural repetitions, and more. In his use of space, he’s both a minimalist and maximalist.” —The British Columbia Review