“Stunning. Coming of age is seldom registered as disarmingly as it is in Leaving Brooklyn.” —The New York Times Book Review
“Leaving Brooklyn will stay with the reader, and remain . . . in our literature, a small masterpiece.” —The Boston Globe
“Leaving Brooklyn is an enormously intelligent novel about female initiation . . . frankly, I’ve never read anything quite like it. It’s got an odd shape . . . the prose is very subdued . . . and it still lingers in my mind.” —All Things Considered, NPR
“The blend of lyricism and history, of memory and the imagination—all shot through with the female erotic—is wonderful.” —Russell Banks, author of The Sweet Hereafter and Cloudsplitter
“An electrifying book . . . it took my breath away. Audrey is every one of us at fifteen.” —Maxine Kumin, author of Where I Live: New and Selected Poems
“Lynne has told me that it was her intention to have this novel ‘read as a memoir . . . an autobiographical account, when in truth it is highly fictionalized.’ Audrey’s vision—intuitive, daring—mirrors Lynne’s way of writing: going beyond what it apparent; challenging that mysterious border between imagination and memory; rejecting the stiff lens of conformity. Some writers, I believe, are born with that odd and magical way of seeing, and Lynne is certainly one of them. For us, there is no other way of seeing: we’re drawn toward the kind of beauty we find in distortion, and we come to celebrate the gift and the persistence of our odd vision.” —Ursula Hegi, author of Stones from the River
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