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Death of a Salesman by Arthur Miller

Death of a Salesman

By Arthur Miller

By Arthur Miller

By Arthur Miller

By Arthur Miller

Best Seller

Part of Penguin Plays

Part of Penguin Plays

Paperback $14.00

Oct 28, 1976 | 144 Pages

Ebook $9.99

Oct 28, 1976 | 144 Pages

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    Death of a Salesman by Arthur Miller
    Paperback
    Oct 28, 1976 | 144 Pages
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      Oct 28, 1976 | 144 Pages

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      Oct 28, 1976 | 144 Pages

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    About Death of a Salesman

    The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream
     
    Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room.

    “By common consent, this is one of the finest dramas in the whole range of the American theater.” —Brooks Atkinson, The New York Times

    “So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it.” —Time

    About Death of a Salesman

    The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream
     
    Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room.

    “By common consent, this is one of the finest dramas in the whole range of the American theater.” —Brooks Atkinson, The New York Times

    “So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it.” —Time

    Also by Arthur Miller

    Presence: Collected Stories
    Collected Essays
    The Man Who Had All the Luck
    The Creation of the World and Other Business
    The Archbishop's Ceiling
    See all books by Arthur Miller

    Also by Arthur Miller

    Presence: Collected Stories
    Collected Essays
    The Man Who Had All the Luck
    The Creation of the World and Other Business
    The Archbishop's Ceiling
    See all books by Arthur Miller

    About Arthur Miller

    Arthur Miller (1915–2005) was born in New York City and studied at the University of Michigan. His plays include All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), A View from the Bridge, A Memory of Two Mondays (1955), After the Fall (1963), Incident at Vichy (1964), The Price (1968), The Creation of… More about Arthur Miller

    About Arthur Miller

    Arthur Miller (1915–2005) was born in New York City and studied at the University of Michigan. His plays include All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), A View from the Bridge, A Memory of Two Mondays (1955), After the Fall (1963), Incident at Vichy (1964), The Price (1968), The Creation of… More about Arthur Miller

    Product Details

    Category: Literary Fiction

    Paperback | $14.00
    Published by Penguin Books
    Oct 28, 1976 | 144 Pages | 5-1/16 x 7-3/4 | ISBN 9780140481341

    Category: Literary Fiction

    Ebook | $9.99
    Published by Penguin Books
    Oct 28, 1976 | 144 Pages | ISBN 9781101665022

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    Inspired by Your Browsing History

    Praise

    Winner of the Pulitzer Prize for Drama
    Winner of the National Book Award Medal for Distinguished Contribution to American Letters

    “By common consent, this is one of the finest dramas in the whole range of the American theater.” —Brooks Atkinson, The New York Times

    “So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it.” —Time

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