What’s the best piece of advice you have received?
My graduate professor Frank Conroy said that we only get three exclamations points in our whole career! And I just used one. He meant, of course, that the prose itself should convey emphasis. He also stressed that habit is a writer’s best weapon. I’m still working on that one.
What clichés or bad habits would you tell aspiring writers to avoid? Do you still experience them yourself?
I am terribly guilty of what I call “three adjective syndrome” wherein I describe something with no fewer than three adjectives. Usually, that means the third adjective is the one I want, and the first two are just approximations until I get there, but I still have to go back and cull the first two adjectives from the pack. Relatedly, my first drafts have so many clichés it’s like they are going out of style (get it?). I think that’s fine for a first draft. They’re just marking places where I need to go back and think of better comparisons, so I try not to judge myself too harshly.
Do you ever base characters off people you know? Why or why not?
All characters and no characters are based on people I know. If fiction comes from imagination, then all people contribute to the pool from which I draw. I like to borrow traits and sayings from everyone, but I have never attempted to reproduce on the page a person I know in real life. Even when I do “heavily borrow” from a person, quoting something he or she actually said, he/she never recognizes herself. That said, my father thinks he’s every character in my books.
What are three or four books that influenced your writing, or had a profound affect on you?
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