Several of Kerr’s Gunther novels became instant bestsellers upon publication, including six New York Times bestsellers and five USA Today and Publishers Weekly bestsellers. In addition, Kerr has received several award nominations and honors. He was a three-time nominee for an Edgar Award for Best Novel, a Shamus Award nominee, and a winner of both a Barry Award and the British Crime Writers’ Association’s Ellis Peters Historic Crime Award. In early 2018, his novel Prussian Blue was also nominated for a Barry Award for Best Novel. His books have been published in thirty-seven territories.Born in Edinburgh, Scotland, in 1956, Kerr studied at the University of Birmingham. Following university, Kerr worked as a copywriter for several advertising agencies. In addition to his Bernie Gunther novels, Kerr wrote two nonfiction books, fifteen adult novels, and ten children’s fiction books. He is admired by many, and a growing list of high-profile personalities, impressive critics and fellow writers including Lee Child, Tom Hanks, and Nick Rennison, continue to share their love for Kerr and his Bernie Gunther novels. His most recent novel, Greeks Bearing Gifts, will be published in April 2018. Browse more of Philip Kerr’s works here.
Lexie Elliott joins Amy to talk about her debut thriller, THE FRENCH GIRL. They talk about friend group dynamics, self-doubt, and a slinky French ghost.
Penguin Random House mourns the loss of author, Philip Kerr, who died on Friday, March 23 in London after an eight-month battle with cancer. He is one of most distinguished modern thriller writers, known best for his Bernie Gunther novels. His debut novel, March Violets, was published over 30 years ago and introduced the character as a sardonic, hard-drinking detective tackling the dark depths of Nazi and post-war era Germany.
Brendan Duffy, author of THE STORM KING, joins Amy to talk about sophomore novels, friends who know us better than we know ourselves, and the image of a boy that shaped the novel.
New York Times bestselling author Lisa Gardner joins Natasha to talk about her newest book, RIGHT BEHIND YOU. Listen in as they talk research, twists, favorite reads, and creating suspense.
We know readers tend to be writers too, so we feature writing tips from our authors. Who better to offer advice, insight, and inspiration than the authors you admire? They’ll answer several questions about their work, share their go-to techniques and more. Now, get writing! Is there something you do to get into a writing mood? Somewhere you go or something you do to get thinking? I find that I do my best work at the beginning of the day, but I’m rarely in a writing mood when I sit down. I’m usually somewhat sleep-deprived, and I always have a long list of other responsibilities calling my name. But if I can get myself into my chair with a cup of coffee, and start reading the last few days’ work, I find myself making a few changes here and there. Then I’m adding a few new sentences at the end, and before I know it, several hours have passed, I’ve written a few new pages, and I’m in a pretty good mood. When I fall out of that flow, I get up and go for a walk, make another cup of coffee, and sit back down in my chair, just for another minute or two, and that’s another few hours gone, and some more sentences stacked up to reread tomorrow. Which is a long way of saying that the best way for me to get into a writing mood is to sit down and start writing. And if I do it every day, it all gets easier. What’s the best piece of advice you have received? The painter Chuck Close said, “Amateurs sit and wait for inspiration, the rest of us just get up and go to work.” He didn’t say it to me, but I consider this good advice for anyone doing creative work. Don’t wait for inspiration. Learn to cultivate it. Write your own writer’s manual. Find the tools and mindset that help you move forward when things get difficult. Because things almost always get difficult. That’s not necessarily a sign that the work is bad, it’s just a part of the process. Learning to understand and manage your own process is, for me, the secret to creative life. I’m still working on it, by the way. But I’ve found that when I show up and do the work on a daily basis, inspiration will eventually perch on my shoulder and begin to whisper in my ear. What clichés or bad habits would you tell aspiring writers to avoid? Do you still experience them yourself? I love the beautiful distractions of the world – television and movies, video games, the internet in general. But I try really hard to avoid them, because they don’t help me become a better writer. They subtract hours from my day. And a writer’s main currency is time. Time to daydream, time to walk and think, time to sit and do the work. Reading good books is one distraction that will help you become a better writer. And writing – that’s the thing – writing is what will really make you a better writer. Write bad stories until you begin to write so-so stories, which might, if you keep at it, turn to writing good stories. So put down your phone and keep at it. This is not a new idea, nor one exclusive to writing fiction. The way to get good at playing the piano is to play the piano. And play, play, play. I tell myself this every day. What are three or four books that influenced your writing, or had a profound effect on you? Cormac McCarthy’ Border Trilogy (All the Pretty Horses, The Crossing, and Cities of the Plain) had an enormous influence on me. I love his prose, his use of place as character, and his vivid descriptions of character in action, but the most powerful effect of reading those books was that they freed me up to write about what really interested me. At the most fundamental level, these are cowboy novels. The fact that they also rank among the best of American literature somehow made genre distinctions irrelevant. Elmore Leonard had a profound influence on me as well. There are a few of his books I really love – Freaky Deaky, Stick, Glitz, Bandits. But I love his dialogue, his humor, his small-time hustlers, and the economy of his prose. He does a lot with a little, over and over. The Writer’s Chapbook is a collection of bits and pieces of writers’ interviews culled from The Paris Review – a long list of great writers. The book is organized by topic, so no matter what problem I’m having, I can find far better writers who’ve had the same problem. It makes me feel better. In addition to dipping in and out, I’ve also read it cover to cover about ten times in the last ten years. I found it used in a clunky old cloth-covered hardback that makes me smile just to hold it in my hand. Ask me this question next week and I’d probably give you a different list. Learn more about the book below:
Sara, in Knopf Doubleday marketing, is reading Shaker by Scott Frank. Find out more about the book here: